The Prep Period
Here's something that took us far too long to figure out when we were starting out: by the time a production is shooting, the hiring is mostly done. The jobs got handed out weeks earlier, quietly, during prep.
Prep — pre-production — is the stretch before the cameras roll. The production office opens. Departments get built. Locations get scouted. Schedules get torn up and rebuilt. And crucially, that's when phones get answered by people who are looking for bodies.
Why prep is your window
On set, everyone is buried. Nobody has time to read your email, let alone reply. In prep, there's still a little air in the room. A production coordinator staffing up an office, a locations manager who needs someone to hold a sign, an art department that suddenly realizes it's short a pair of hands — those decisions happen in the weeks before day one.
So if your outreach is landing when a show is already shooting, you're late. Not forever, things fall through constantly, but you're behind the people who wrote a month earlier.
Where the entry-level roles sit
Two broad buckets. The office side — production assistant, production secretary, assistant to a producer or showrunner — often starts in prep and runs through the shoot, so those roles get filled early. The set side — set PA, additional crew, trainees — tends to get hired closer to the start date, sometimes days before. Knowing which you're chasing changes when you send the email.
The office roles are worth taking seriously even if set is the dream. You'll see how a production is actually assembled, and you'll meet every department head in the process.
How to time it
Follow productions, not just job ads. When you hear a show is setting up in your city, that's your cue to write — politely, briefly, with your availability and your phone number. Don't wait for a posting. Half of these jobs never get posted anywhere.
And keep a list. Names, companies, who you wrote, when. Shows come back around. The coordinator who had nothing for you in March is staffing something new in September.
What to do today
Pick three productions or companies you know are gearing up near you. Write three short emails — availability, location, willingness to start tomorrow. Then check today's job list, because some of the roles on there are prep hires right now.
Tell us if it works. Reply to this email — we like hearing about the wins.
Community — connect with thousands of other aspiring filmmakers for advice, collaborations and opportunities in our facebook group and across our online community.
Don't be a stranger — questions, career goals, or just checking in, we'd love to hear from you.
All the Best,
Liv
olivia@myfirstjobinfilm.com
Today's New Jobs
We've got 172 roles open on the US board today, 25 of them brand new, and the new ones are at their quietest right now.
Recommended Job of the Day
Office & Post Intern is our pick. It's with a production company making unscripted and documentary work in New York, and the mix is genuinely useful: cutting sizzles, organising footage, development research, festival submissions and tracking, PA work on set when they need hands, plus keeping the office ticking over. Paid at $18.50 an hour, full-time in the office, about ten weeks from October to December. Ideal if you edit a bit and want a credit-worthy run on real projects. Bring a short reel or two sizzle-style cuts. It closes this week, and they'll be reading and shortlisting as applications land, so get yours in today.
Others of note...
Feature Development Internship sits with a world-leading animation studio, and it's the rare one that shows you how a development department actually functions: research, coverage, writers lists, competitive tracking. Part-time, 24 hours a week, in person Tuesday to Thursday. If you want to read scripts for a living, this is the door. Applications get sifted as they arrive, so today beats Thursday.
Video Production Assistant puts you on the live sports team at one of the biggest entertainment and streaming companies going. Cutting highlights, writing shot sheets, driving playback during live output, posting VODs. Nights and weekends, $24 an hour plus overtime. Fast, loud, brilliant training for anyone who wants to edit under pressure — and a desk like this won't stay empty long.
Also on the board — 172 live roles, 25 new today
- Paid entry-level crew (runner, trainee, production assistant): 24 live
- Paid internship / fixed term: 45 live
- Paid junior office / production / development role: 11 live
- Permanent job: 25 live
- Volunteer / expenses-only / unpaid: 59 live
- Work experience: 5 live
- Apprenticeship / structured scheme: 1 live
Browse the whole US job board