How to Land That First Job
Shoot counts going up doesn't mean jobs are going up with them. The work has shifted from studio titles to indies, and indies carry smaller crews — 32 of the 42 indies in the latest California incentive round came in under $10m, and L.A. episodic dropped 20% last quarter (The Hollywood Reporter).
The first rung still exists. The second one moved. Plan for a run of short gigs, not one job that carries you.
Target the indies. Set your MFJF job alerts by region and role, and apply the same day a job posts — small productions fill entry-level slots in hours, not weeks. Follow your state film office and regional film commission too; low-budget projects register there before they post anywhere. And say yes to student films and shorts.
Widen your ask. "Seeking camera PA work" gets you passed over. Say this instead: I'm available as a PA — set, office, or driving. Clean license, own car, I can start Monday. That tells a coordinator you can solve a problem today.
Network sideways. PAs hire PAs. Your targets are other PAs, coordinators and UPMs, not executives. Text five people you've worked with this week: what are you on, are you staffing up? No resume attached.
Know your numbers before the call. Non-union PA rates run roughly $150–$250 a day, commonly $200 for a 12, paid weekly, no benefits (Careers in Film). Decide your floor in advance. Ask whether the rate covers 10 or 12 hours, what happens after, and when you actually get paid.
Have the basics handled. Valid license. A car you'd trust on a fuel run. Real walkie protocol. One-page resume, working phone number, professional voicemail — coordinators call.
Then make it compound. Thank the coordinator and the UPM in writing within 48 hours and say you're available for the next one. Log the show, dates and department heads. Check back in six weeks — not with "any work?" but with "just wrapped X, open from the 14th."
Ten short gigs handled that way turns into a call list. One handled well and then forgotten turns into nothing.
This industry can be a lot to navigate alone — you don't have to. Reach out with questions or just to talk through your next steps. We're here.
All the Best,
Liv
olivia@myfirstjobinfilm.com